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Articles> Deanna Tyson

Deanna Tyson: Fabric of Life
Green Pebble August/September 2009 issue

 

 

 

 

 

 

 

 

By Paul Dance

The idea of ‘politically motivated design’ may sound like an artist’s ploy to be taken seriously, but for Deanna Tyson it is a passionate response to a deeply held sense of the unjust.

‘My first kimono was made when I read an article about a park in Japan where people had for years eaten lunch, drunk coffee and relaxed. When developers came to develop the park they discovered that it had been the site of a concentration camp in the Second World War. I knew that this was the story I wanted to show but took a while to crystallise it into creating kimonos.’
She continues, ‘Clothing has always had a political and social edge to it, from the Heian period of 17th Century Japan, when the emperor forbade the rich from displaying their wealth in fancy kimonos, to today’s obsession with designer labels.’

Deanna’s current work follows her own definition of her art as ‘soft sculptures’ but incorporates hard social and political statements into their designs. Sitting with her two Maine Coone cats in the garden a few miles outside Cambridge, she explains, ‘I hate the tactile quality of metal so I work in silk and other materials.’ She then paints and finishes by hand her kimonos waistcoats, bags and wallhangings. The material for these she finds during her travels and she stores them until the right idea comes along to match the material.

She describes her work as three-dimensional paintings on a moving canvas and they range from portraits of The Rolling Stones or a Newmarket race scene to images of African heroes or jazz musicians....

This is only a small part of the article.
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