When Marianne Koby Johnson is out walking on road, field edge or shoreline, objects jump to her eye. Often the first elements come together as if by chance, then a succession of choices defines the gradual assembling of the image.
Darkly evocative, Mohammed Djazmi’s etchings and oil paintings confront difficult social and political themes including corruption, fanaticism and suffering.
Working outside directly from nature is important to David Baccus. He is able to observe the constantly changing events that make up the landscape, often revisiting the same locations at different times: day, night, winter, summer...
Emma Cameron’s paintings explore the nature of Selfhood, and in particular the pull within the Self between vulnerability and potency. Expressive use of paint acts as a metaphor for this struggle.
Influenced by a childhood rich in experiences and observation, Mark Burrell’s imagination accompanies him as he weaves every scenario with clues to the personality of his subjects.
